In April of 2013, my dear friend John Lilley invited me and Ann to see his band, The Hooters, play at the Electric Factory in Philadelphia...
St. Louis Arch
Actors often plan headshots around broad categories like professional, casual, dramatic, or commercial. But vague headshots disappear fast. This post breaks down how to think about co-star vs. guest star targeting, how wardrobe can hint at the right world without becoming costume, and why a strong set should include both clear casting signals and a more specific sense of who you are as a working actor.
A better headshot usually starts underneath the face. This post breaks down how intention, point of view, and treating the camera like a real scene partner can make a shot feel connected instead of posed.
If your headshots are starting to look more like outfits than people, it may be time to pull back. Here’s how I think actors should use wardrobe to suggest type, genre, and current casting worlds without going full costume.
This is a real look at how I build a headshot set with an actor. We looked at his old shots, a recent selfie, and his resume, figured out the roles he already reads close to, and built a clearer, more castable set from there.
Choosing an actor headshot photographer in NYC can feel overwhelming. A great headshot should do more than make you look polished. It should help casting understand who you are, where you fit, and why they should click. Here’s what actors should look for before booking a headshot session.